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The Pink Singers:
A Potted History

by Philip Rescorla
Tenor
January 2006

The Pink Singers were formed in May 1983 by singer/songwriter Mark Bunyan and the late Brian Kennedy, publisher of Kennedy's Gay Guide to London, to sing at the London Pride Festival. This makes us the oldest established lesbian and gay chorus in Europe. The "Pinkies" have never missed a Gay Pride march or festival since (it's hard work being gay!). In 1991 we celebrated Pride by singing on the roof of the BBC for Ned Sherrin's Radio 4 show "Loose Ends". Thanks goodness it didn't rain.

In 1993 we appeared in the Pride Cabaret tent with Lily Savage, not yet a superstar. She even joined in when we sang the protest song We Shall Not Give Up The Fight, although she may have had a different fight in mind. In May 2001 we appeared at the Mardi Gras Festival in Finsbury Park on both the main stage (closing the Festival with pop group A1 singing Take On Me) and the classical stage. When the organisers introduced a Pride rally in Trafalgar Square in 2004 it was the Pink Singers who opened and closed it (a great way to celebrate 21 years as a choir). We returned in 2005 leading a packed Trafalgar Square audience in the singing of our unofficial theme song Hand in Hand.

A community choir

The original chorus was very much based, as now, in the lesbian and gay community. The proceeds from all our performances were given to organisations offering help to lesbians and gay men in the UK.

We have supported, amongst many others, the Terrence Higgins Trust (THT), London Friend, Food Chain and the lobby groups Stonewall and Outrage, as well as singing at rallies, vigils and protest marches in and around London and appearances for World Aids Day each year. In February 2005 we sang at a London Pride photo exhibition as part of the first UK LGBT History Month. Later that year we appeared at the first LGBT Prom (average age 19, until the Pinkies arrived) where we were a big hit. What good taste young people have these days - thank goodness they'd heard of Abba!

When I joined the Pink Singers in April 1987 there were twenty members (mostly men) and the repertoire contained a lot of songs by Bertolt Brecht and Hans Eisler, Noel Coward, Tom Robinson's Glad to Be Gay (with special lyrics written for us by Tom) and a choral version of Frankie Goes to Hollywood's Relax arranged for the choir by its first Musical Director Robert Hugill. Interestingly the Pink Singers were also in the Pop Charts backing Bronski Beat on their Top 5 hit Ain't Necessarily So.

In September 1988 Michael Derrick became our Musical Director and is still with the choir as accompanist, sometimes conductor and arranger extraordinaire. He was followed by Paul Cutts in the mid-nineties and in recent years our MD has been Mladen Stankovich (who has taken the choir from strength to strength).

Right from the start our repertoire has been a wide and varied one, ranging from Abba and Brahms right through to Sondheim and the Village People. We are particularly committed to introducing new songs and music by lesbian, gay and bisexual writers, including our own resident composers. Time Out magazine described our concerts as "a little satire, a little politics and a lot of camp, all wrapped up in full throated harmony".

Although London is our home base we have performed at many events in the UK and overseas. In the early days these included the celebrated Green Room Theatre in Manchester (1989), the opening of the Oxford Lesbian and Gay Centre (1990), the first ever UK Lesbian and Gay Arts Festival in Canterbury (1991) and in recent years concerts in Brighton and Birmingham with their lesbian and gay choruses. This year we will be singing with the Leeds chorus, Gay Abandon.

Various Voices

The Pinkies have forged close links with other European lesbian and gay choirs, taking part in the third European Lesbian and Gay Festival of Song in Stockholm (1987), and the fourth in Berlin (1988). In May 1989 we hosted 14 European choirs in London for the 5th European Festival of Song (now known as Various Voices) at the Hackney Empire.

This concluded with a big benefit concert for the Terrence Higgins Trust at Sadler's Wells at which Michael Cashman first announced the formation of a gay lobbying group called Stonewall - whatever happened to them? My favourite memories of that night are the massed choir of 500 voices singing We'll Meet Again and special guest Sheila Steafel singing Send in the Clones! Also appearing that night was Barry Cryer (of Radio 4's "I'm Sorry I Haven't a Clue") and Gordon Kaye of TV's "'Allo 'Allo" making his first public appearance after being outed by the Sunday newspapers.

We have since sung at the Various Voices festivals in Hamburg (1991), Zurich (1993), Groningen (1995), Munich (1997), Berlin again (2001) and a very successful appearance in Paris in 2005 (where we received a standing ovation). This was our second appearance in Paris. In July 1998 we sang there in a "Three Continents Concert" with choirs from Sydney, Australia, and Atlanta, USA. Later that year we visited Dublin to sing with the Dublin lesbian and gay chorus, Gloria and in November 1999 we visited Geneva to sing with their local chorus Choeur Homogene.

The Pinkies Stateside

In 1990 we became the first European lesbian and gay choir to sing in America when 18 of us visited Florida, and the Mayor of West Palm Beach named Friday October 26th "Pink Singers Day"! We sang in a huge converted cinema and were so good even the back row stopped what they were doing. We also visited the Health Crisis Network in Miami and did a special fundraiser for their work helping PWAs. As we sang Somewhere Out There a noisy thunderstorm erupted around us - the song never sounded more impressive.

In June 1992 we sang at the Seattle Opera House with four other American choruses in two special Pride concerts (having celebrated London Pride a week earlier). We then flew to Denver to join over 60 choirs in the fourth Gay and Lesbian Association of Choruses (GALA) festival. We returned to the USA in July 1996 to sing in Washington DC followed by the GALA 5 festival in Tampa Florida. In July 2000 we returned to the US to sing with nearly 200 other choruses at GALA 6 in San Jose, California and were one of only fourteen choruses asked to perform twice. 2004's Festival was in Montreal and, of course, The Pinkies were there making our Canadian debut.

Getting about

In June 1991 we took part in Stephen Fry's Hysteria III Benefit for THT at the London Palladium which was televised by Channel Four. In June 1993 we appeared in a special concert for the World Lesbian and Gay Jewish Conference which was meeting in London where Barry Laden in QX Magazine said we "stopped the show".

In 1994 we were featured on the London Weekend Television programme "Londoners" and in April 1995 we sang on GLR's gay and lesbian radio show. In October 1995 we formed part of the 200-strong Equality Choir backing Elton John who was in full drag singing There is Nothing Like a Dame (this was before he became one). By the next concert the women in the Pinkies were singing There is Nothing Like a Dyke (I can say "Dyke", they're my people). In May 1997 we began our long association with the London Lesbian and Gay Symphony Orchestra by joining them for their first anniversary concert "Mayhem" at the Prince Edward Theatre. We returned to the Hackney Empire in July 1998 and appeared with the acclaimed Sydney Gay and Lesbian Choir. Another highlight was appearing on the millennium night edition of the BBC comedy show "Gimme, Gimme, Gimme" (which is still repeated regularly on UK Gold).

The RAM years

In December 1998 we celebrated our fifteenth anniversary by performing to a packed house at the Royal Academy of Music (RAM) which has now become our base and we have returned every year since for our major concerts, including our 21st anniversary in 2004 where old and new members shared many happy memories (in other words, got intoxicated). These concerts have featured a variety of special guests and London audiences have had the chance to see (and hear) the best of Europe's lesbian and gay choirs.

At the time of writing the Pink Singers have outlasted Abba, A1 and the Allied Carpet Sale!

Have An Anecdote To Tell?

We are collecting stories of what it was and is like to be a Pinkie in the 1980s, 1990s and today!

Do you remember what it was like getting a choir together? What rehearsals were like? A particularly significant concert? Any Pinkies romances?

Please share your tales (and pictures, concert flyers, ticket stubs, photos, newspaper cuttings etc.) of the Pinkies with us: send an email to the webmaster or use our feedback form. And if you don't have easy access to a computer, you can even put it in an envelope and mail it to us!

We really want to know!

Tales Of The Pinkie

Your stories of being a part of Pink Singers history!

"Let's go back seven years. It was the time of pre-millennial fever and everyone was either planning the biggest party in history, or stocking up on tinned food, ready for the Y2K bug. How appropriate then, that the Pink Singers should receive an invitation from the makers of BBC2's 'Gimme Gimme Gimme', asking us to appear as special guests for their special millennium episode. How could we say no?

Of course, it wasn't as straightforward as that. As so often happens, we were only contacted a few days before the TV shoot, and the choir would be required for half a day. Most Pinkies couldn't make it, as they weren't able to arrange the time off work. In fact, it looked as if we wouldn't be able to take part, and a golden opportunity would be missed. A compromise was reached - the TV company would hire extras to make up the numbers. That's right, we had wannabe Pink Singers in our midst!

I was lucky enough to be able to arrange time off work, so I met up with my fellow Pinkies - all six of us - at the TV studio on the day of filming. I'd never seen a TV programme being recorded before, and the first thing that struck me was how small the set was. The second surprise was seeing how short the lead actors were, so maybe television screens just magnify everything.

For those who haven't seen 'Gimme Gimme Gimme', the show is about a gay man sharing a flat with a straight woman; neither of them can get a man. Kathy Burke and James Dreyfuss played the lead roles, both of whom are heroes of mine. We sat in the audience seats watching them rehearse, which gave us a sneak preview of the show. In between scenes, Kathy would chat to anyone who was around - I remember her talking about having some building work done to her house. Apparently she would take the builders to the pub to keep them sweet.

Our job was to appear right at the end of the show, singing the song Tomorrow from the musical 'Annie'. Of course, none of us had ever sung it before. Fortunately we only had to sing a few lines. We had a chance for a quick run through of the words, and then we had to go on the set to work out how we would enter, where we would stand and so on. Then we rehearsed the scene with the leads a couple of times - we were awful! We kept forgetting words, losing time, and everyone seemed quite intimidated by being on the set. The producer was looking quite worried, and kept telling us not to be so timid.

After that, we had a few hours to wait before the show was filmed. We were kitted out with clothes from the costume department, and then we just had to hang around, grabbing a bite to eat as the audience arrived. Other programmes were being recorded that night - we saw Boy George, who had just been interviewed for a chat show. He was most intrigued when we told him who we were!

Tension mounted as we were gathered backstage for our big moment. We had to be extremely quiet hiding behind the set, as our appearance was to be a huge surprise for the audience. Time seemed to drag, as the crew fiddled around with lighting and microphones for the scene. We all knew that we had to get it right first time, because glitter, balloons and streamers were going drop all over the set, and they wouldn't have time to clean it all up for another take.

We were on! I was the first on to the stage, and I ran out, waving my arms around and trying to look as bold and confident as possible. We sang at the tops of our voices, with a conductor hidden behind the camera to keep us in time. Glitter flew in all directions, and the audience gasped and laughed as we burst onto the set. And we were wonderful, even if I do say so myself. The crowd loved us, and we spent ages basking in the applause. The producer was exuberant, saying how we had been "infused with the spirit of theatre"!

And then it was all over. We were invited to the after-show party, which was nice, so we browsed the buffet and chatted with the stars. Then we had to wait, excruciatingly, for weeks before we could see the final product. What did I make of it? Well, I thought that I looked like a chipmunk in a pink smock, but I was really proud of our appearance. The episode was repeated a few times on the BBC, and then endlessly on cable stations, so there were plenty of chances to see it. I have friends who still have it recorded on video for posterity! I'll never forget that day, and it has gone down as a classic moment in Pink Singers history. Here's looking forward to our next TV appearance!"

- Andy Mitchinson
Bass
& composer/arranger
Pinkie since 1996

For more Tales of the Pinkie
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