Tenor Hsien talks about his experience at Hand in Hand Asia, the region’s biennial Queer Choral Festival…
A word of advice to the person on the sound desk. Playing the reprise to ‘Born This Way’ is probably not the best way to clear the stage at the end of a wildly successful choral festival in Seoul, South Korea. And it is a terrible idea if the stage is already packed with over 200 LGBT choristers from across Asia. After all, we’re all born superstars! Yes, in what has now become a bit of a tradition, a small band of Pinkies took part in the second incarnation of Asia’s LGBT choral festival Hand In Hand Seoul 2017. The inaugural iteration of this biennial event took place in Taipei, Taiwan in 2015. We had such a blast then it was hard to imagine how a trip to Korea could top that, but Hand In Hand Seoul was all that and more!
If Taipei was all about new friendships, Seoul was about the reunion. In the intervening couple of years quite a few Pinkies have made new lives for themselves away from London, so Hand in Hand was the first time that we had all gathered in the same place. We reminisced, bitched and wondered why we don’t see each other more often. In that we were accompanied by our buddies from the host choirs G_Voice and Unnie Choir, as well as friends from Taiwan, Singapore, China and Japan who we met at the last festival, but this time were we also joined by the members of two new choirs from Hong Kong. Indeed, the increasing popularity of LGBT choral singing across Asia, and participation in this festival, has meant that the Pinkies could not have a set of our very own, but we were pleased to perform as part of the wider Proud Voices Asia from-scratch choir, itself made up of people from 11 countries and meeting in the South Korean capital for the first time. Converging on Seoul felt very much like a massive family gathering.
Hand in Hand Seoul took place over the weekend of 2-4 June 2017. It opened with a traditional welcome dinner – any buffet with mountains of fried chicken and mandoo (dumplings) is a winner! – and performances by a drag queen singing K-pop followed by a drag king performing a traditional Korean dance. To me that juxtaposition of modernity and tradition spoke a lot about some of the tensions of living in this metropolis. This theme continued the next day at a press conference held in central Seoul, followed by a mini-Pride parade down to City Hall. South Korea is actually quite an evangelical country, and the weekend of our festival also saw a large anti-gay conference in another part of town. Our rainbow-flag adorned arrival in Seoul Plaza, the political heart of the city, was met with double rows of policemen cordoning off crucifix-carrying bigots, hate in their eyes, snarling in rage and spewing spittle and insults. Like many of the Pinkies, I’ve never had to deal with such blatant homophobia in my life. It was an eye-opener to see that someone I had never met before could harbour so much un-grounded ill-feeling towards me – it was a sobering moment indeed.
It was a sobering moment too for participants from the many other choirs across Asia. The state of legal equality varies tremendously across this huge geographical area. Our arrival in Seoul was preceded by the announcement that the constitutional court in Taiwan had voted in favour of marriage equality, so there was a celebratory mood, but it was tempered by announcements of increased proscriptions on foreign participation and sponsorship at the Singaporean Pink Dot (Pride) gathering, a country where being gay is still criminalized. It may be argued, however, that regardless of legal status, social equality has a greater impact on the lives of LGBT people there, and it had to be noted that several members of the choir from Beijing – China does not criminalize homosexuality – still felt compelled to wear masks when performing. And yet for all the choirs, hanging out, sharing meals, participation in facilitated events like the film and women’s nights, and just telling each other stories – despite the language barriers – helped to crystalize their sense of purpose, not only in music, but also in social justice in their own countries.
The weekend culminated in a sold-out concert held at the Mapo Arts Centre: all participating choirs took to the stage to sing songs, largely in their own languages, with projected translations in Korean and English. Sitting up in the balcony and watching their succession of performances I was struck by how much the musicality of the choirs had developed since I had last seen them, and there was so much heart in their performances too. On a number of occasions I started to well up – the highlights for me being a deeply moving rendition of ‘Home’ by the Sing Men’s Chorus, Elements Choir’s joyous performance of ‘Sing!’ and Unnie Choir’s tearful version of ‘Into The New World’. In all three cases the occasionally cheesy lyrics took on an additional depth when viewed through a queer lens. Our own performance of ‘Fix You’ had a similar effect on the audience.
Charged up, we moved to the grand finale of the concert, with all the choirs gathering on stage to unite our voices. As we sang the final chord of the festival song “Hand in Hand”, arms held aloft, there was not a dry eye in the house. I can’t blame the audience for refusing to leave after that, and someone had the bright idea of playing ‘Born This Way’ to try to clear the auditorium. It is true that it did not have the desired effect, but there could not have been a better way to cap off the long weekend of celebration than with even more singing and dancing. What a rush! Taipei was the starting point, Seoul has given us a trajectory and I can safely say, “We’re on the right track baby!” Here’s to the Pink Singers at Hand in Hand Asia 2019!
Hsien is also the co-ordinator of Proud Voices Asia, the Asian LGBT choir network, which has oversight of the Hand in Hand Asia festivals.
Timeline datestamp: 04 July 2017