Category: History Page

As October is Black History Month, Charly from our Communities Team, talks about the conversations and actions we’ve been taking this year to make our choir a more inclusive and diverse space. She also talks about her learning journey and what she has pledged to do to make herself more aware.

Following on from George Floyd’s death and the Black Lives Matter protests this summer, race seems to be the hot topic on our screens, social media, work places, at home and our community spaces. For a lot of us, it was one of the first times that race was really at the forefront of everyone’s conversations and made us question our perspective and attitudes that we had towards others of another skin colour. I was immediately sickened by the death of George Floyd and hearing the stories of other victims making their way into the headlines. I couldn’t quite believe that this level of racism existed in today’s society but then hearing from others who were around me it compounded the fact that these attitudes were still very prevalent in the UK and our everyday lives. 

Not only were these instances affecting us personally, they were also making us look inwardly at our social groups and communities and how inclusive and safe these spaces were for people. At our Pink SIngers rehearsals, we started to hear from some of our black, asian and ethnic minority (BAME) choir members and learn about their experiences of living in London as well as being in the choir. I know that when I look at pictures of the choir we are predominantly white and I wanted to understand what that meant to a person of colour, how did that make them feel and how could we improve the environment for them? 

During our summer break, the Communities Team held two workshops for members of the choir entitled ‘Imperfect Conversations about Race’. Thanks to choir members Hsien, Shauna and Paul for making this happen and to Adè Adeniji our wonderful host. Adè is a certified coach, group facilitator, consultant and mediator who works with individuals, teams and organisations to give voice to unspoken words and behaviours, with a view to having conscious courageous conversations. He was the perfect person to create a safe space for us to have these conversations about race and challenge our thinking.

The first workshop was around the personal and relational and allowed us to explore our own personal experiences and how that had shaped our perspectives. We looked at the first time we knew that race existed and how often we thought about the colour of our skin. It made me think about my own childhood and I hadn’t realised how white it was. I was really into hip hop, soul and Motown music featuring lots of black artists but did I really know what it was like for those people growing up? We then looked at how we personally responded to slogans such as BLACK LIVES MATTER and how that made us feel and why. 

The second workshop then moved from the personal to the collective, and in our situation, our choir community. We broke up into smaller groups and discussed what needed to happen to make the choir more inclusive for more BAME LGBTQIA members and potential members. We then discussed how we could extend anti-racist priniciples to the community and wider audiences. Despite at times feeling very uncomfortable throughout both workshops and feeling like I was going to say something wrong, they enabled me to ask questions, to learn and recognise how I could change and make things better. I always thought of myself as a good ally but was I doing enough, was I standing up for them and transferring the benefits of my privilege to those who lack it? 

One participant commented:

Having been a Pink Singer for 18 years now, and having seen the issue of racial diversity, particularly with reference to the black community, come up at least 3 or 4 times over the decades, I am really glad that we are finally taking action. It is easy to absolve oneself of responsibility by saying that people of a minority want to hang out with other people in that minority, but I believe that people want to find spaces where they feel comfortable. For that to happen we need to get our own house in order and to invite people in, rather than ask why they don’t want to play with us.

Since the workshops and our conversations over the summer, some of those ideas we discussed are now coming into light. We have a working group pulling together an Equal Opportunities Policy, we have changed some of our processes to ensure we have representatives from all kinds of backgrounds in our creative and musical teams. I pledged to do some comms for Black History Month on our social media channels and to read more personal stories from people in the black community. We all made pledges to raise our race consciousness and be more aware of the issues.

My final point is what are the steps YOU can take to raise your race consciousness?

Here are some things YOU can do to be a better ally:

• Be open to listening
• Be aware of your implicit biases
• Research to learn more about the history of the struggle in which are participating
• Use your privilege to amplify (digitally and in person) historically suppressed voices
• Learn how to listen and accept criticism with grace, even if its uncomfortable

Not sure where to start? Try visiting the Black History Month page for inspiration.

Read Pink Singers initial response to the Black Lives Matter movement, which also contains links to some charities you may wish to support.

Charly, Soprano

Timeline datestamp: 01 October 2020

You can read Part 2 of this article here.

Our choir project for 2021 is focussed on Eastern Europe and throughout the year we will be collaborating with two other LGBT+ choirs: Voces Gaudii based in Warsaw, Poland, and Obochina, based in St. Petersburg, Russia.

To kickstart the project off we took some time to understand what it’s like to be LGBT+ and living in Russia. Pippa gives us a summary of our first #PSEasternEurope event

A few weeks ago, the documentary Welcome to Chechnya (dir. David France) was released on BBC iPlayer. Under the Chechnyan regime, LGBT+ people are routinely kidnapped, tortured, and forced to turn other LGBT+ people in. The documentary tracks the story of a group of Russian activists, working to get people out of Chechnya to a safehouse in Moscow, in the hope that they will be able to go to other, safer countries from there.

Following the release of the documentary, the Pink Singers set up a roundtable discussion with Russian LGBT+ activists for members of the choir, to gain a better understanding of what the situation is like in Russia at the moment. Attendees were instructed to watch the documentary beforehand, and join in the roundtable via video link.

The roundtable was chaired by Ali and Hsien in the choir, with the participants Misha Tumasov  of the Russian LGBT Network, Misza Czerniak of the Poland-based Voces Gaudii choir, Paul J Dillane of Rainbow Railroad. Because of technical difficulties, Максим Дрожжин of Obochina choir could only join for the last couple of minutes, and Olga Baranova (who features in the documentary) of the Moscow LGBT Center was unable to join at all.

While the documentary is beautifully made, it is also incredibly harrowing. Being faced with the direct footage of people committing homophobic violence, and hearing the terrible stories of torture, made it very difficult to feel like there is still any good left in the world at all. On the one hand, this is absolutely necessary: real people are being subjected to this government-sanctioned violence, and we cannot simply pretend that this isn’t the case, just because it makes us uncomfortable.

However, on the other hand, the panel felt a necessary extension of the documentary. Being able not to only see the work that activists do, but also be able to have a conversation, felt central to my understanding of what we can do to stand in solidarity with people in Russia, and Chechnya in particular. One specific discussion that stayed with me, was the discussion around the role of the UK in this issue. Misza Czerniak noted that Russians living in the UK are arguably the richest Russian diaspora in the world, and he voiced his hope that this group, as well as UK-based politicians more broadly, can use their international leverage to make demands of Russia, as well as impose sanctions on the country if it is seen to violate human rights.

Misha Tumasov added that the Dublin III regulation, which covers asylum claims, needs to be updated for a contemporary context. One of the factors taken into account when processing asylum claims is the family unit. However, when someone is in a relationship or a family that doesn’t have governmental recognition, it means that there is no proof to substantiate this claim: a gay Russian couple will not be able to show a marriage certificate to prove that they are a family.

Paul J Dillane added to this that in his work with UK Lesbian and Gay Immigration Group (UKLGIG) that Britain is the only country in Europe which has no time limit on detention of refugees. This means that the UK’s answer to people fleeing inhumane treatment in their countries of origin, is often to lock these people up indefinitely, for the ‘crime’ of seeking a life free of fear and torture. Indeed, there is much that can be done in the UK to provide a safe and dignified haven for LGBT+ migrants, including Chechnyan migrants.

Look out for more posts about our Eastern Europe Project. The ‘Storyville – Welcome to Chechnya’ programme is still available to watch on BBC iPlayer https://www.bbc.co.uk/programmes/m000kjnt

You can read Part 2 of this article here.

Timeline datestamp: 11 September 2020

In the light of the Covid-19 crisis, we Pink Singers have stopped our regular Sunday afternoon rehearsals for the first time in 37 years, and had our first virtual meet-up this Sunday.

It was emotional! We sang, we laughed, we offered support to each other, we shared stories. 

We also danced, laughed, and shared stories of our crazy weeks. We welcomed our new members, applauded our public servants (in particular our healthcare workers) and celebrated recent birthdays. We met each others’ pets. We finished by singing ‘Together In Electric Dreams’ from our most recent concert – which has suddenly taken on a new and deeper meaning for us as we adapt to our new virtual existence, for the foreseeable. 

In future weeks we have plans for quizzes, break-out rooms where we can start to learn new music in small groups, sharing solo performances with each other, and more. We will also perhaps look at making some multi-track recordings. 

Here’s a quick summary of what we did in our first one, and what we learned. We:

• Used zoom as the platform, on a regular plan. It allows up to 100 participants and worked well for us, with 56 participants. 
• Set the call to start 30 minutes before the actual start time, to allow plenty of time for tech setup.
• Made everyone be muted by default, and had one MC (host) who called on people to share by raising their hands first to speak or sing. 
• Kept it short – an hour or so. Spending time conversing on video chat feels more  mentally taxing than being face to face.
• Did not sing ‘live’ together. There were 56 of us on the call and it would have been impossible. The varying latency of internet connections makes it very hard to hear each other in sync without special hardware. 
• Muted ourselves most of the time and sang along with some tracks.
• Sang warm-ups (all muted) with our MD at the piano
• Shared some audio that everyone could sing along to, using Zoom’s share screen feature (use the advanced tab: share computer audio)
• Kept the meeting open for a few people who wanted to hang around a chat for longer

Timeline datestamp: 22 March 2020