The Pink Singers at Pride London 2010

httpv://www.youtube.com/watch?v=LO4TcMmWkbg
Does your mother know that you’re out? There was never a better double entendre to ABBA’s classic song than when the Pink Singers performed it at our concert, and then again at our 27th Pride.
It was also the 40th anniversary of the Gay Liberation Front, and here’s a look at the Pink Singers celebrating the occasion on the Pride parade and on stage in Trafalgar Square. What a rush!

They’re my kinda guys!

httpv://www.youtube.com/watch?v=HdFrxv2STzA
Here’s some video of last Saturday’s concert, A Little Light Music, from the Pink Singers official YouTube channel. This time round the sopranos and altos are taking a bit of a break and letting the tenors and basses do all the legwork – literally! They perform a medley of some of the Chiffons’ most famous hits: Sweet Talkin’ Guy, He’s So Fine and One Fine Day.
The vast majority of the Pink Singers have not had any dance training, and quite a few would insist that they have two left feet, but an awful lot of rehearsal, and the patience of our choreographers Oli, Karin and Rachel, seems to have paid off. The tenors even managed the tricky sequence walking backwards! We’re looking forward to next concert’s mass moonwalk, or perhaps not.

A little light photo album


Missed the Pinkies in action last week? Interested in seeing the kind of shenanigins we get up to back stage in preparation for our show? Then here’s your chance to relive some of the action of the summer concert. You’ll get a sneak peak at the Pink Singers in our tech rehearsal on stage at Cadogan Hall, and then backstage when we do our traditional roll call of all the Pinkies who have helped the choir run smoothly this season. Mark models the lovely shopping bag they all received by way of thanks.
Click on the photo above or head on over to our Flickr page and our A Little Light Music photo album!

The Big Pink Chill

In the Pink(ies)‘ is a blog on the life and times of a Pink Singer, known only as the ‘Pink Insider’. This is their account of our concert “The Big Pink Chill” in 2010.

Every concert is a special event, not only because we have been rehearsing for the twelve or so weeks prior to it, but because every single one is different. The Pinkies’ last concert – the Big Pink Chill – was no exception, but for me, there were a number of changes this time round which made this particular experience more memorable.

The most significant difference actually began a week or so before the concert itself when we had news that the tickets had sold out. I’m not sure of the ins and outs of it, but it looks like this was due to a combination of more tickets sold by members, combined with a trebling of the tickets we sold through the website. Now, usually we do, especially in the winter season, sell out, but to do so so far in advance certainly caused Simon W a bit of a headache and more than a few late, sleepless nights.

The Royal College of Music is fairly familiar to us now, given that this is our second time there, so there are fewer surprises in terms of the venue itself. Nevertheless, since this time we were performing with two other choirs, Purple Harmony and Sing Out Bristol, rather than by ourselves, it took significantly more organizational work to make sure everyone was in the right place at the right time.

None of this would have been possible without the volunteers like Kate D who kept Sing Out Bristol entertained and updated, but a great deal of credit goes to our UK Concerts director Ben P. I have no idea how he does it, but he manages to co-ordinate moving nearly 150 people in and around the theatre, set out instructions to the production crew, and act as the general lynch pin of the whole operation, while still keeping a calm exterior and still singing! The fact that, as a choir, we just have to concentrate on our own performance, and not worry about all the extraneous logistical issues is down in no small part to Ben’s hard work.

The Pink Singers are about singing, true, but the creation of the end product requires so much input from a huge number of people. It is salutary to observe that it is no longer just the people in the committee doing all the work; there is a whole phalanx of Pinkies helping out in other ways, from choreographing our moves, to making announcements, to performing solos, to arranging sectionals, to recording multimedia, to organizing social events. All of these things create a much richer experience for all the members. And all of these Pinkies are doing this as volunteers at that, so it is good that we now have a tradition of recognizing their efforts at the concert.

One of the big events this season has been our inclusion of religious music in our repertoire. To be correct we have, for a long time now, sung music with a sacred theme, but the songs have largely been in Latin or classical, or about Christmas. So if you really want to split hairs, this is the first time we have sung modern Christian songs which are not carols in English. Hopefully that just goes to show how arbitrary the classification is, but it would be remiss of me if I did not acknowledge that this caused some consternation in the choir. We are an LGBT choir, and many of our members have an uneasy and occasionally fractious relationship with the Christian faith. So it is with some pride that the choir still stuck together to perform these songs well, despite any individual reservations.

The result was, for me, the most significant event of the evening, which was when Purple Harmony joined us on stage to perform. They are a children’s choir from Surrey, and the choir in which Cass used to sing when she was a little one. To me their being on stage with us was a profound statement of how far our society has progressed in terms of inclusiveness and equality. In rehearsal, our joint song Rutter’s Look At The World sounded beautiful, but with children’s voices it was sublime. I had to stop myself from choking with tears during the song itself it was so transcendent. The performance defied all stereotypes of what an LGBT choir is, and I certainly hope that the more conservative elements will at least have had some of their prejudices questioned.

I also want to highlight our other guest choir, Sing Out Bristol. They are one of the newest LGBT choirs in the UK, being just over two years old, but already they have over 60 members, 40 of whom came to London. I met them for the first time at Various Voices back in May 2009. Speaking to some of their members, they face the same problems we do – deciding on a direction for the choir, managing a large group of people and dealing with the right balance between the needs of the individual and needs of the choir as a whole. There is so much to learn, from each other, and it is wonderful what we can give each other the platform to perform at and support each other in the way we do. I can see our relationship growing from here on in.

All of this is wonderfully virtuous, but the best part is that the Pinkies really know how to have fun, so after the concert it was on to a raucous karaoke at the Imperial College bar, followed the next day by an understandably more subdued post-concert brunch at the Ku Bar in Lisle Street. Time to put away the pink accessory for another season; see you at the end of February for Summer 2010!

You can read the original blog post here.

Timeline datestamp: 16 January 2010

Malta

Alex Field

The collaboration between a British gay and lesbian choir and a Maltese Christian choir was always going to raise eyebrows, especially if they met in Malta, where Catholicism holds sway and the Gay Rights Movement is almost non-existent.  In July 2009, however, the Pink Singers managed just that, taking their show to Malta to promote social equality through their music. 

There were two immediate dilemmas; how would the fervently religious Maltese community react to a gay choir, and would it be possible to pair the Pinkies with another choir given these circumstances.  “The gay scene in Malta is still quite backwards and limited”, Andrew says, “there are no gay choirs in Malta and they have no idea what a gay choir is…people were thinking it was going to be all feather boas and being camp”. 

Under the leadership of Andrew Francalanza, a Maltese national, the Pinkies took the first small step towards a brighter future for Malta’s gay community, achieving the seemingly impossible for a minority without a voice. Andrew Francalanza became a Pinkie in 2007, and quickly learnt “how much fun it is to go abroad and sing with another choir”.  In his capacity as International Concerts Co-ordinator, Andrew broached the idea of taking the choir to his native Malta.

At the Malta Gay Rights Movement’s suggestion, Andrew approached Symphonik, the choral branch of a Christian organisation that seeks to promote social equality through music and mirrors the Pinkies in intention and method.  “It ended up growing from just a basic concert to being something really huge” Andrew recalls; “a gay and lesbian choir singing with a Christian choir underneath the Gay Rights Movement’s umbrella to promote equality”.

Eight months of frantic organisation later, the Pinkies headed to Valetta for a large scale concert in the City Theatre, with fifty choir members travelling to Malta’s capital for the event.  Due to Andrew’s prior communication with the Maltese media and his own network of friends and contacts, the island was awaiting their arrival with a mixture of curiosity and wariness.  As predicted, some called for the Church to take a stand against the choir’s promotion of homosexuality, but the majority of the community gave the Pinkies a warm welcome.  “95% of feedback was really good” and the concert audience was very positive; “we blew them away!” Andrew says.

The joint concert was scheduled as the grand finale of Malta’s Pride week, which the majority of the Pinkies attended, having also sung at London’s Pride march two weeks previously.  “London Pride and Malta Pride are two different concepts” Andrew explains.  “London is in a place where it can celebrate being gay” with “a whole day and a big party in the streets where you can just have fun and be silly”.  Malta Pride is “an hour…half an hour of marching, half an hour of speeches, and it was…quiet.”  There was a feeling of silent anger amongst the marchers, whose banners displayed rage rather than celebration.  “Even though it wasn’t said, [the silence] was a way of saying ‘we don’t have a voice’” Andrew says. 

The Pride march had a great emotional impact on the Pinkies, with their Chair, Mark Winter, describing the scene as “London twenty years ago”.  Their presence changed the atmosphere completely, bringing joy and fun to the event and doubling the number of marchers to almost a hundred.  The Pinkies showed the Maltese gay community the way Pride should be; full of fun and, most importantly, pride in who you are.  Their positive attitude, alongside their banners and rainbow flags, had an instant impact.  The Maltese EU parliamentary representative stood up and professed his ignorance regarding the gay rights movement and his desire to work with the community towards a greater acceptance and social freedom. 

Amazingly, the Maltese Prime Minister followed his lead and has now established a lobby group to promote gay rights on the island.  Further to this, the Malta Gay Rights Movement has set the wheels in motion for the formation of a gay choir, an amazing development considering the current social ramifications of being openly homosexual in Malta.

The concert and Pride march were both an astounding success and provided the Pink Singers with a moving experience as well as new friends from Symphonik, who joined them at Malta’s only gay bar for the concert after party.  The trip’s success demonstrates the impact small actions and a positive attitude can have.  “For the choir the [trip] was a really powerful experience…it wasn’t just us singing and having fun, it was such a big political message” Andrew says, “they keep asking me when we’re going back.”

Alex Field, guest writer

Timeline datestamp: 13 July 2009