We will be joining with our friends the London Gay Men’s Chorus tonight to stand in solidarity with our friends in Florida, following the nightclub shooting that killed over 50 of our LGBT family in Orlando.
Please join us at the vigil on Old Compton Street in Soho tonight from 7pm. There will also be a live broadcast of the vigil on the LGMC Facebook page.
Category: Blog Page
London’s Vigil in Old Compton Street

The Pink Singers and the London Gay Men’s Chorus take part in a vigil in Old Compton Street, standing in solidarity with the Florida LGBT community the day after the mass shooting at the Pulse gay nightclub in Orlando. Alto Jeremy’s moving piece which reflects on the horrifying massacre in Orlando and the subsequent vigil, which saw thousands of Londoners – and a strong contingent of Pinkies – gather in Soho on Monday evening to pay tribute to the victims.
Our Pinkie hearts are heavy. Like most of you, most of us are still in shock at the horror of it all, but when we came together at London’s vigil in Old Compton Street on Monday night, we found it in us to sing, and so began the process of healing.
We were so honoured to be present at such an important event for our community. As soon as we knew the vigil was going ahead we knew that the Pink Singers would be there, in full voice and full heart.
Most of us heard about the news via Twitter and other social media whilst we sat in the Alban Arena in St. Albans on Sunday morning. A large contingent of the choir had travelled to compete in the first round of the ‘Choir of the Year 2016‘ competition. We had been the first choir on stage to perform in the morning session, which saw 12 choirs doing their thing on stage. We sang our hearts out, raised the roof, and sat down to enjoy the other performances.

The compères had encouraged everyone to live-tweet the occasion, so we did, and word passed round of the violent attack in Orlando. We wondered, ‘should we say anything?’ But as it was still unclear what was actually happening we kept quietly mindful and carried on. As the day wore on we left the arena, went back to London and many of us joined together for food and company. As it turned out, the gruesome figure was said to be ‘about 50’.
It was about 50 Pinkies that had made it to the competition. As we 50 sang, 50 of our brethren were being slaughtered. The people in Orlando had gone out for joy and community, love and life, and to dance with freedom. The second song we sang for the judges was our Pinkie classic, an arrangement of Whitney Houston’s hit, ‘I Wanna Dance With Somebody’. An eerily prescient coincidence. We had gotten together that Sunday morning to achieve the same things that those lost souls had.
What if we had gone out that day but never come back? It was the question we were all thinking but not many of us were asking. We knew it could just as easily have been us.
Monday dawned with little joy in it. Overnight there had of course been the infamous Sky News Interview with Owen Jones that left people exasperated, angry and sad. Some very deluded and clearly disturbed people had a new ‘hero’ and were singing his praises online. LGBTQI people woke up everywhere, feeling lucky to be alive. And we were lucky, it’s just that we should be alive anyway, not relying on luck. Most of us have found solace and sanctuary in LGBTQI venues, our first trip to one often being a seminal moment in our understanding and acceptance of who and what we are. I always remember a creative writing tutor once telling me that the most distressing stories of horror and pain take place where one usually feels safest. She was right.
LGBTQI spaces are not always perfect: they can be beset with intersectional prejudices, from a person’s perceived attractiveness, to their gender and/or gender expression, to judging a person by the colour of their skin. It’s worth naming and remembering that the majority of the people in the club, and those killed, were members of the Latinx and Trans* communities. (For clarity, Latinx is a gender neutral term used by the LGBTQI Latin community in place of the masculine ‘Latino’ and the feminine ‘Latina’. It’s an effective inclusive term that we are wise to be more aware of and consider emulating). Thankfully of course, for many, they were that place of sanctuary, and they will be again.
Hopefully now, we understand clearer than ever before that we are stronger and better when we stand together. I hope sincerely that the Latinx community felt as much love and compassion in the aftermath as we Pinkies did.
But of course, we did all feel the horror, how could we not? They were in that club because they were like us. Something most of us have always feared had happened to our family, and we weren’t going to let them go without solidarity, love, and a lot of noise. There are many flags that represent different groups within the LGBTQI world, and they tend to be bright and colourful. Certainly not one of them is plain white.

The call out to the Pinkies came early in the day, we were to meet early in Soho to warm up. I spent the day getting hold of flags, candles, sheet music and whatever else would be useful. As we discovered, so did thousands of others. As I arrived in Old Compton Street about an hour before the planned silence at 7:05pm, it was already full of people. Flags were out in force, every LGBTQI sign or emblem you could think of was there.
The Pinkies gathered upstairs at VILLAGE Bar, our lively chatter and camaraderie powered by equal amounts of love, anger, fear and familial comfort. There was a touch of bravado about it all, but how could there not be when the reason for being there was so grim. It could have been us. After a quick rehearsal of our most well-known songs we headed out to the packed (and I mean packed) Old Compton Street to take our place, ready to sing.
As the whistles blew at 7:05pm to mark the starting of the silence, every hair on my neck stood up. The silence was astoundingly thorough, flags fluttering in a virtually soundless breeze, quiet tears rolling down the cheeks of people with battered souls. Battered, but still alive, and using that moment of their one and precious life to think of the siblings they will now never have the chance to know.
After the silence 49 balloons were released to symbolise the 49 murdered in the coldest of blood. At this, a roaring cheer rolled along the crowd, the intensity of which stirred every cell in my body. A wall of sound and passionate humanity that, if only for a moment, blew away every memory I have of ever being yelled at, spat on, punched, kicked, beaten or bullied just for being myself. It lasted quite a while and turned into the chant ‘We’re here! We’re Queer! We will not live in fear!’ I have no words to describe what it felt like to swim in that song of defiance and pride.

Then the London Gay Men’s Chorus (LGMC) sang, and it was beautiful. It has been much documented, quite rightly, and they began a healing ritual of intense beauty. As they ended, the Pinkies started up. As we made our way through the crowds to regroup, we started singing an old Pinkie favourite ‘Hand in Hand’, which had been sung by the choir in 1996 in Tampa, Florida. Now of course the song had made a sort of tragic full circle, but the lyrics resonated with so many present there as tears flowed freely, and perfect strangers held onto each other for comfort.
Hand in Hand
We’ll be the strongest we can be
If we learn to stand by those in need
With shoulder pressed to shoulder
We will build a mighty wall
And nothing in the world
Can make us fall,
If we stand hand in hand
We sang ‘Nothing’s Gonna Stop us Now‘ to an appreciative crowd, and then sang together with the LGMC – ‘Somewhere Over The Rainbow‘ reverberated around the streets as hundreds of people joined in.
After this we all decamped to the beautiful garden outside St Anne’s Church in Soho – coincidentally the new home of Diversity Role Models, a charity we have been proud to support with our recent CD project. The LGMC sang again, and then we joined in.

At our recent concert, one of the compères, Simon Harrison, quoted Armistead Maupin’s theory of having a ‘biological family’ and a ‘logical family’, the latter being one that you have chosen to support you through life. Like many Pinkies, I see the choir as my logical family, and I certainly don’t know how I would have fared in the last few days without them.
At the time of writing, it seems increasingly likely that the gunman was gay or bisexual himself, raised in an ideology that clearly set him on the worst path imaginable. If this turns out to be true, the human race will have reached a new low. People have since declared #lovewins in the time following the attack, but for that to work we must encourage everyone we know to extend it everywhere, and especially to our own LGBTQI community.
Release your anger, you must, otherwise it will fester within you, poisoning the unique beauty of you. Don’t fall into the trap of looking for a scapegoat, don’t let people talk you into bigotry based on falsehoods; we the Pinkies stand by our Muslim LGBTQI brethren. Whether you are a person of faith or not, swapping one bigotry for another will never solve anything.
Do be brave.
Do be yourself.
Do love and be loved.

If I said I wasn’t scared after this horror, I would be lying, but if we stand “Hand in Hand, we’ll be the strongest we can be”. Every act of homophobia, biphobia and transphobia is fuel to an ugly fire, but there is hope. The day after the vigil I was working with Diversity Role Models in a school, where 40 children aged 9-11, voluntarily formed an ‘Equality Club’ as a response to a workshop on LGBTQI awareness. We had hoped that this generation would grow up feeling less of the fear we felt when we were younger, which may not happen now, but we and they still have the power to make things better, if we stand Hand in Hand.
Later in June, The Pink Singers, the Adam Street Singers, the London Gay Men’s Chorus, Diversity Choir and the NHS Choir put on a joint concert to commemorate those lost in the massacre and to raise money for the victims’ fund.
The Pinkies send our love to Orlando, and everyone else who needs it right now.
Timeline datestamp: 13 June 2016
Musical Memories
Altos Gaynor (pictured left) and Kirsten round
up musical memories from the choir in preparation for Saturday night’s theatrical-themed spectacular!
Just 3 days to go – grab your tickets here while you can!
“Being a newbie Pinkie is a blast – and a trip down memory lane. Pretty much everything I’ve done with the Pinkies for our One Night Only concert on 4 June reminds me of something…we’re singing ‘Ascot Gavotte’ (from My Fair Lady), which takes me back to performing it in the last year of primary school in Brisbane to mark the anniversary Captain Cook’s arrival in Australia – even, in 2016, doing some of the same dance moves that I did in 1970!” [Gaynor, Alto]
“My first appearance in a musical was at the age of six when I played the devil in a school production. Sixty years later I have been promoted to Jupiter, King of the Gods, in Orpheus – but I’m still sending the Pinkies to hell!” [Philip, Tenor]
“I waited outside the stage door to get my programme signed after seeing the original west end cast in Wicked and Miriam Margolyes – who was playing Madame Morrible at the time – stole my pen.” [Tracey, Soprano]
“Speaking of memory lane, remember the early-90s TV series, May to December? We’re singing the title track, ‘September Song’, by Kurt Weill – sure to pull on your heart strings!” [Gaynor, Alto]
“I was given several minor roles in a production of Les Mis, which lead to me wearing parts of four costumes at once and having four changes in the first 20 minutes (all before Fantine dies) – which included playing a nun. The wimple meant I couldn’t hear a thing, so the guy playing Valjean had to listen for my cue and literally push me on stage!” [Alicia, Alto]
“I did Les Mis at school. On the first night when we performed ‘At The End of the Day’ we were all facing backwards to start for dramatic effect. The pianist forgot to cue us as he was so nervous so we didn’t turn around and ended up facing backwards for the whole first verse! When we turned around a few of us bellowed the second verse to make sure the rest of the cast carried on. It was a scary moment – but the audience didn’t have a clue! The magic of theatre…” [David, Tenor]
“Then there’s Little Shop of Horrors, recalling a long drive to Hull to see my niece play Audrey, and then fast forward several years to seeing Anything Goes in the West End – we’ll be performing ‘Blow, Gabriel, Blow’ (no tittering in the back, there).” [Gaynor, Alto]
“My grandparents saw one of the very first previews of Les Mis at the Barbican in 1985. 25 years later, in 2010, I took my grandma to the anniversary celebration production at the same theatre.” [Naomi, Soprano]
“I saw Wicked for the first time on Broadway in 2005! I had no idea what sort of musical this was going to be, and I was super worried that I wasn’t going to like the story or get any of the jokes – I was only 12. However, after ‘Defying Gravity’ had been sung and the lights came on for the intermission, my big sister and I were both glued to our chairs, covered in goosebumps and unable to speak. That night, Wicked became our favourite musical and we memorized all the lyrics and harmonies in our hotel room. To this day, I am still delegated Glinda’s parts on Popular without much say in the matter!” [Marianne, Alto]
“When I went to see Spamalot in London a couple of years ago, as we were applauding at the end Michael Palin suddenly stepped on to the stage!!! [Abigail, Soprano]
“A big group of Pink Singers went to see one of the first performances of Funny Girl during its recent run at the Menier Chocolate Factory, thanks to the expert booking skills of our tenor Gary – it sold out within hours! And what a show it was. ‘Don’t Rain on My Parade’ was a stand out moment – Sheridan Smith was incredible!” [Kirsten, Alto]
“My parents produced Little Shop on Broadway when I was 14. I used to go sit on the back stairs and watch it, and then my dad and I would run backstage five minutes before the end and greet the cast as they came offstage. When we sing ‘hold your hat and hold on to your soul’ I think of that, and think, it’s time to start running!” [Zoë, Soprano]
“I was in Little Shop at school and got eaten by the plant. Lots of fun but the bruising was spectacular!” [Kate, Alto]
“So far, I’m having a ball singing with the Pink Singers. I know if you come along to see the show on Saturday, you won’t be able to stop yourself from tapping your foot, singing along, and wondering how to join up for next season – so don’t miss out, grab your tickets here!”
Q&A with the Pink Singers Artistic Team
Our Artistic Director David Baxter (pictured
right) and Musical Director Murray Hipkin (left), squeezed in time for a chat.
Here’s what we found out about our upcoming concert One Night Only, with less than a week to go until curtain up!
How will next weekend’s show be different to previous Pink Singers concerts?
David Baxter: Given the popular theme, we’re pulling out all the stops for this one! The concert will have a different feel in terms of mood I think. We’ve got two fantastic comperes who will run the whole show, slick choreography for more numbers than normal and we’ll be showcasing a number of our choir members through various solos, duets, trios and even a small group! It’s definitely going to be a night to remember.
What has been the most challenging thing about the repertoire this time?
DB: There are a lot of words! I think the most challenging thing so far has been making sure we follow the choral arrangements we have. Sometimes when you see a show at the West End, you get used to the tune but need to remember that we’re now singing 8-part harmonies and can’t all be Elphaba in Defying Gravity….
Murray Hipkin: Choosing it; there was so much material.
What are you most looking forward to?
DB: I’m really excited to see the audience’s reaction to whole event. My vision is for it to be a theatrical spectacular which showcases some show-stopping favourites, as well as some pieces they may not have heard out of context before.
MH: Close friends might imagine that it’s the bottle of Pinot Grigio waiting at the end – but I am looking forward most of all to watching everyone realise that they do know all the words and all the moves and that actually concerts can be lots of fun rather than something to be fearful about.
David, What is it that you find most inspiring about being in the Pinkies and specifically, working on the artistic vision for this concert?
DB: I love watching the whole concert come together when we start to run it; that’s where the real creativity begins for me. Seeing people ‘off copy’ allows them to think more about what they’re singing, what the song means to them and perform it to the very best of their ability.
Murray, what do you love most about being a conductor?
MH: Being a conductor is a great job for a passive-aggressive control freak with borderline narcissistic personality disorder. But it seems to suit me too. 😉 Actually, the conducting is the easy bit; it’s the preparation that is challenging and I do love my work as a teacher and enabler.
Who are your musical heroes from the West End/Broadway/Opera and why?
DB: Hmmm…that’s tricky. There’s a few actually; all women too! But my top choice would have to be the legendary Imelda Staunton. Having recently seen her in Sweeney Todd I was stunned by her energy. Apparently Sondheim saw the Press Night, grabbed her hands and said ‘You gotta play ‘Rose’…’ and she did. Just when I thought she couldn’t get better I then saw Gypsy – and was blown away by her energy throughout, so much so that I saw it twice. My other choices would be Cynthia Erivo and Jenna Russell.
MH: Currently Glenn Close. Oh sorry, did I mention Glenn Close again? I never got bored with her performance in Sunset Boulevard. And I rehearsed it for five weeks, saw it at least eight times, and played in twenty-three performances! Or maybe Emma Thompson.
I did once work with Sondheim (my main hero) but it was before cameras were invented.
If you had to give the choir just one piece of advice on the night of the performance, what would it be?
DB: Relax and Enjoy – it’s time to perform all your hard work you’ve put in!
MH: Eat a banana in the interval. Or a flapjack. Preferably dripping with Manuka honey, which (we are reliably informed by Dr Iain in the basses) is a good humectant.
Is there anything that you do when you perform, rehearse, compose or conduct that others might find unusual (any quirks, tricks, useful tips)?
DB: Sometimes I end up on a chair getting very excited when I can see how well a piece is going. They probably think I’m all a bit nuts…and they’re probably right!
MH: If I get tense while performing I visualise the tension as a liquid and little taps in every joint of my body. I open the taps one by one and let the tension flow to where it’s needed. If I am playing the piano it’s quite useful to have tension in my fingers, or I wouldn’t be able to press the keys, but I don’t want it in my shoulders or my jaw. If I’m conducting I like to keep some tension in my legs because without it I would end up in a heap on the floor, but tension in the hands and neck is a bad thing. (If you see a puddle on the floor where I have been standing, that will be why.)
So do make sure you come and see all this work in action – next Saturday, Cadogan Hall, 7pm – book your tickets here now!
Pink Highlights
Bass Gary shares his favourite things about being a Pinkie:
Someone asked me the other day what I enjoyed most about being a member of the Pink Singers and it took me a while to answer – when I joined I couldn’t have imagined the diverse range of things I would get up to!
Over the last few years the choir has performed at LGBT choral festivals in Dublin and Brighton, taken part in a choral competition in Manchester, and visited Reykjavik and Mallorca to sing with their respective LGBT choirs. And this summer we are off to Amsterdam for the Ama-SING festival! We have also recorded two CDs since I joined in 2012 and I have also performed on stage in Trafalgar Square during Pride in London.
The trips are great fun – you get to build on friendships within the choir and enable you to make friends with members of other LGBT choirs – for example a large group of us now have an annual skiing holiday together! We organised a 30th Anniversary ball, arranged several residential weekends away, tackled the Crystal Maze – and I have made friends with people who I would never had the opportunity to meet if I hadn’t joined the choir.
These things have all been amazing – however the one thing that stands out is our concerts.
One Night Only will be the eighth concert I’ve done with the Pinkies, and it will be the accumulation of four months’ hard work learning showtunes, opera and operetta pieces – as well as our renowned choreography!
I am always in awe of our artistic team, who every season pull everything together into a show that has the required level of what we like to call ‘Pinkie Magic’. This season includes favourites from Les Miserables, Wicked and My Fair Lady to name but a few, and promises to be a memorable night for our audience. I will still get nervous before the show, it will all go too quickly, and I will look back on it and think ‘wasn’t that awesome’ – for me, nothing else we do gives such a buzz!
The whole choir takes immense pride in our performances and if the reception is anything like previous concerts it will make it an amazing experience for all of us.
So if you’ve haven’t done so already, please book your tickets here before they all go – and I promise I’ll wave to you from the fourth row of the bass section!