Newbie alto Rosie relives the ride that was her first season as a Pinkie…
As terrifying as the phrase sounds, ‘popping the pinkie cherry’ – or performing in your first concert – is nothing to be frightened of. Instead, it was a beautiful end to a whirlwind season.
Along with the other newbies, I started in September with trial sessions and auditions. I remember the excitement of those first weeks: watching the reunions after summer, listening to the repertoire for the first time, being welcomed at the post rehearsal socials, and having to face Monday mornings afterwards…
As great as the Pinkies people are, and they are really great, I think it is the music that really draws you in: it’s what you devote four hours to every Sunday. I was really looking forward to singing Chandelier as it’s one of my favourite songs, and Sia is one of my favourite artists. As one of the younger members of the group, I also think I had a bit of a headstart on this number as one of our more ‘modern’ pieces… However, I’ve also loved discovering songs from before my time – Kate Bush and Joni Mitchell are now firm fixtures on my playlists – as well as learning poignant contemporary pieces such as bass Chris Chambers’ Quando Desinet.
We also had a baptism by open-mic fire at the weekend away in Carroty Wood, where Eimear, one of the other newbies, blew us away with her solo. “There is a wonderful balance between the social aspect of being in a choir and the high demands of the work. I felt supported instantly when I joined, particularly when I participated in open-mic night at the weekend away!” Clare and Jamie, other newbies, also made brilliant solo debuts alongside a newbie group performance of Miley Cyrus’ The Climb. I am not a solo singer, and was quaking at the thought of this, but we were ably rehearsed and supported by our multi-talented tenor, Hsien.
The hard work definitely started to pay off after our first public performance at Selfridges. This was the first time we had sung without having our music with us, and was a big step towards being concert ready. It was encouraging seeing a positive audience reaction for the first time, proven by the amount of people recording us on their mobile phones as they travelled by on the escalators!
The concert itself was a another giant leap. During the tech rehearsal, even though we were concentrating like a sports team preparing for a big game, I just wanted to step back and take in the performance we were creating. I loved seeing it all fit together – the smoke, the lighting and the accompaniment. All too soon it was over, our kazoos could be put away, and we were back from the land of Zanies and scootering nuns to friends and family and post-show celebrations. However, for me at least, the season has been one long celebration of being proud of who we are and what we can do. Eimear again put it perfectly: “My experience with the pink singers has been eventful and positive from the beginning… One thing is for sure, I’ll be back next season to relive all the fun again!”
Category: Blog Page
7 reasons to go to a Pinkies' concert
We take a look at why – if you haven’t already – you should consider coming to see us in concert on Saturday!
- We are ridiculously good looking.
2. We promote equality and diversity. The Pinkies have marched in London Pride 33 years in a row. Read our latest post here.
- We do acrobatics a-la Dirty Dancing.
- You get to listen to one of Philip Rescola’s amazing intro speeches. (He’s been practising.)
- We have mastered the craft of choreography.
Better than a West End chorus.
- We take ourselves really, very seriously. Take our current Chair for example:
- At the end of the day, we are just bloody good singers.
So when are we next performing? Funny you should ask – it’s this Saturday!! Come see us perform By Special Arrangement with special guests the Baberfellas and Gin & Harmonics.
Saturday 9 January 2016 7pm, Cadogan Hall, Sloane Square.
Tickets are from £10-40 and are selling out fast. get yours here!
Our Special Arrangers!
This Saturday’s concert, The Pink Singers: By Special Arrangement, is all about celebrating the sheer musical talent within our 90-strong chorus. Let’s take a look at some of the Pinkies behind the magic!
Michael Derrick
Michael has been in the choir for 29 years; his first arrangement for the Pinkies was of Tom Robinson’s Glad to be Gay in 1988 – their take on the song needed updating as women had just joined the choir.
His style of arranging varies from piece to piece; he enjoys playing to the strengths of the choir and says he starts by “identifying the essential features of the song, then I try to forget all the performances I have heard, and construct the arrangement as if it were an original composition.”
Simon Pearson
Simon has been a Pinkie since 2012, but has been arranging music ever since he started playing the piano at the age of six! His first arrangement for the choir was in fact for a string quartet, to accompany Kirsty MacColl’s song They Don’t Know in our 30th anniversary concert.
Simon says, “I try to understand the message and motivation behind a song, before beginning to arrange it to be effective for a 90-strong choir. The results can therefore vary greatly when comparing the piece to the original!”
Naomi Berwin
Naomi is also musical director of one of our guest choirs – Gin and Harmonics – and first started arranging music for her a capella group in 2010. She loves the a capella style, and often uses voice in place of instruments in her arrangements. Her take on Video Killed the Radio Star is in fact Naomi’s first non-a capella arrangement – although you may still hear that style coming through!
Her first Pinkie arrangement was performed last year: a fabulous version of Nina Simone’s Feeling Good.
Chris Chambers
Chris joined the choir in September 2008; his first arrangement for the Pinkies was of Dylan’s Make You Feel My Love in 2011. He loves to play with interesting harmonies, often involving eight parts.
Chris admits he is careful when it comes to choosing pieces to arrange: “A piece of music usually has a key factor which makes it a favourite piece of music. Sometimes that factor can be enhanced by arranging it for choir; sometimes it would be lost. For me, arranging a piece has to be about hearing it in a different light, accentuating the things I like about it or creating something which is satisfying to sing.”
Murray Hipkin
Murray has been musical director of the Pink Singers since 2010. His first arrangement for the Pinkies was of Lisa Lan, a beautifully atmospheric Welsh folk song, in 2012. When it comes to arranging a piece, Murray likes to start with the vocals and to establish the melody, before working on the other parts. He says his style “depends on the piece – but I like to stay quite faithful to the original source.”
Help us make a new album!
[vimeo width=”700″ height=”393″]https://vimeo.com/147644031[/vimeo]
We’re crowdfunding to raise money to record a new album, and we need your help.
At our upcoming concert By Special Arrangement on Saturday January 9th, we’ll be performing arrangements of well-known songs that have been tailor-made for our choir, by our talented choir members and others.
We want to record these for everyone to enjoy by making an album. And that’s not all – we want to give £1.20 for every CD we sell to each of two fantastic charities we’re proud to support: the Albert Kennedy Trust and Diversity Role Models.
To find out more and pledge, visit our crowdfunder page right now!
If I Had a Hammer
Following our recent visit from Rainbow Singers Across Borders, Pinkie alto Sarah tells us a bit more about the day, why the choir exists, and the shocking reality of Hate Crime both at home and further afield – and how, together, we can work for a brighter future.
If I had a hammer,
I’d hammer in the morning,
I’d hammer in the evening,
All over this land,
I’d hammer out danger,
I’d hammer out a warning,
I’d hammer out love between,
My brothers and my sisters,
All over this land.
If you’d have been passing the Pink Singers rehearsal several weeks ago, these are the words you’d have heard ringing out on to the street from the studio below. I’ve been singing with the Pink Singers for five years now, clocking up about 200 rehearsals (gulp); of all those occasions this was definitely one of my favourites. We invited the Rainbow Singers Across Borders to come and sing with us: a choir made up of members of a voluntary self-help group for lesbian, gay, bisexual and transgender asylum seekers who are fleeing from the persecution of oppressive homophobic and transphobic regimes.
We kicked off with a fantastic performance from our guests of some traditional African songs. Later Herbert Bulindi, musical director of the Rainbow Singers, led us all in singing the beautiful Swahili song Malaika. You can hear a previous performance here (spot Sally-Anne from the Pink Singers moonlighting in the video!). To finish we sang a song together that was familiar to us both – If I Had a Hammer. Great fun, great music and most importantly, some great people. To end the day we all piled into our local haunt of choice, the New Bloomsbury Set – where it must be said the bar staff did a sterling job of dealing with our larger than usual number of drink orders! As they said goodbye we were generously treated to a parting gift from the Rainbow Singers of another of their favourite songs: a perfect end to a lovely afternoon and evening.
Many of the Rainbow Singers Across Borders have come to the UK from Uganda, where in 2014 the widely supported Ugandan Anti-Homosexuality Act – which originally included a death sentence for certain acts – was only dropped on a technicality. Hate crimes and abuse apparently soared around the time of introduction and under the act those who reported any attacks or discrimination based on their sexuality could, instead of finding protection, find themselves arrested.
Whilst this law was overturned, a new proposed piece of legislation has been accused of seeking to make any form of LGBT organization illegal, potentially cutting off community support for those who desperately need it. In the face of this, the fact that the LGBT+ community of Uganda has managed to celebrate Pride in the last few years feels, to me, nothing short of remarkable.
In contrast, in the UK today – due to the incredible campaigning efforts of our community heroes – we now receive public funding towards Pride, celebrated the legalisation of gay marriage in 2013 and have had legal protection from discrimination and harassment from the Equality Act since 2010. From 2005 any attack on an individual motivated by their sexuality was legally defined as a hate crime, allowing for tougher sentencing.
We chose October to join the two choirs in order to mark Hate Crime Awareness Week – hate crime being an issue we felt united both of our choirs. Whether our laws define it as a crime or not, hate is something the LGBT community sadly sometimes finds itself faced with.
Tracey Button, from the Pink Singers shared her experience with us:
“In July 2008 I was on a night out with friends at a bar in London and I ended up kissing one of my female friends. Another person in the bar began hurling homophobic abuse at us. A friend told us we should stop what we were doing because not everyone agreed with it. My friend and I just laughed it off. At closing time I remember the door staff holding us back; they advised we wait until she left before we did. Once she had gone we began walking to the bus stop. Unfortunately, our abuser reappeared and following an attempt to snatch my friend’s phone, I was called a disgusting lesbian and then she attacked me.
I don’t recall a huge amount of what happened next, but I ended up on the ground being punched and kicked in the ribs and head. I remember a man walking by during the assault and I begged for help, but he told me he “didn’t want to get involved.” My attacker eventually left and shortly after the police arrived. She was arrested and charged with ABH but only given a Caution. Thankfully I only suffered cuts and the fairly substantial bruising healed in a few weeks, but the psychological damage has taken a lot longer to recover from. I was offered counselling by a LGBT liaison officer from The Met, but I turned it down. I felt so ashamed by what had happened and wanted to forget the whole incident. I went into denial about my sexuality and it was another five years until I finally accepted that I was gay.”
Tracey’s experience was from 2008. LGBT rights in the UK have grown markedly stronger since then, yet hate crime reporting is on the increase according to Stop Hate UK; this may mark confidence in reporting or show something more sinister. Stop Hate UK still estimate that in the UK hate crime related to sexual orientation is a daily occurrence and are confident that gender identity hate crimes remain significantly under reported. Race, Ethnicity and Nationality related incidents were the most commonly reported Hate Crime strand this year.
Hate Crime Awareness Week is over now, but it’s important that we always remain vigilant and challenge persecution, hate and oppression where we see it. It’s important that we carry on raising awareness and campaigning for the right support for those who become a victim. We must support those in our community who need it and welcome those who need a community. My life has changed dramatically since I joined the Pink Singers, having access to such a warm and supportive group, with countless strong role models mean that I’m now able to feel confident about my identity in a way that I don’t think I ever was before. I’m so pleased knowing that the Rainbow Singers Across Borders are able to offer that same sense of community to those newly arriving in the UK who have had to abandon their homes to escape persecution. I am pleased that we have been able to welcome them in our community and I hope we continue to make joyous music together.
Simon Harrison, Tenor, summed up what the experience meant for him:
“It was such a pleasure to meet the Rainbow Singers Across Borders. It made me aware of something very important: that it takes an effort to reach out and welcome the stranger – our instinct might be to turn to the familiar and not risk a potentially awkward moment that comes when two worlds meet; but the risk is worth it! We are changed and enriched by our contact with what appears to be “different” and it stretches our sense of who we are. As Herbert led us in learning one of their songs with his warmth and generosity and the two choirs mixed together, I could feel hearts softening, smiles broadening, and souls opening. I hope we all find safe places where we are welcomed and in which to grow and prosper.”
So, if the Pink Singers had a hammer what would we do? Building bridges and creating those safe spaces seems a great place to start.